Datum zveřejnění:
15.12.2016
DOI: https://doi.org/10.21104/CL.2017.4.05
Český lid poskytuje otevřený přístup k veškerému svému obsahu v rámci licenceCreative Commons Attribution NonCommercial-NoDerivatives 4.0 International.
Abstrakt:
This paper examines the construction of archives and in particular dance archives with special focus on the National Dance Archive of Ireland. The paper provides a contextual background to the establishment and workings of the archive and explores issues relating to postcoloniality. It suggests that proactive archiving and applied ethnochoreology within the context of dance archives can potentially play an important role in contributing to postcolonial agency in the construction of social and cultural identities.
Klíčová slova
National Dance;Archive;Ireland;Ethnochoreology;Postcolonial Agency;Proactive Archiving
Text článku
Reference
Appadurai, Arjun (1996) Modernity At Large: Cultural Dimensions of Globalization (Public Worlds, Vol. 1). Minneapolis: University of Minnesota Press.
Bopp, Mary S. (1994) Research in Dance: A Guide to Resources. New York: G. K. Hall.
Castells, Manuel (1997, 2004), The Information Age: Economy, Society and Culture: Vol. 11. The Power of Identity. Oxford: Blackwell Publishing Ltd.
Clifford, James (1988) The Predicament of Culture: Twentieth Century Ethnography, Literature and Art. London: Harvard University Press.
Crosbie, Patricia (2011) Reaching Through the Mirror: An Autoethnography of an Irish Ballet Dancer. (Unpublished MA Thesis) Limerick: University of Limerick.
Edmonson, Ray (2004). Audiovisual Archiving: Philosophy and Principles. Commemorating the 25th Anniversary of the UNESCO Recommendation for the Safeguarding and Preserving of Moving Images. Paris: United Nations Educational, Scientific and Cultural Organization.
Foley, Catherine E. (2001) ‘Perceptions of Irish Step Dance: National, Global and Local’. In Dance Research Journal, Vol. 33/1 (Summer). New York: Congress on Research in Dance, pp. 34 – 45.
Foley, Catherine E. (2012) 'The Notion and process of Collecting, Recording and Representing Irish Traditional Music, Song and Dance: The Muckross House Collection.' In Smith, Thérèse (Ed.) Ancestral Imprints: Histories of Irish Traditional Music and Dance. Cork: Cork University Press, pp. 107-117.
Foley, Catherine E. (2012b) Irish Traditional Step Dancing in North Kerry: a Contextual and Structural Analysis (Book and accompanying DVD). Listowel: North Kerry Literary Trust.
Foley, Catherine E. (2013) Step Dancing in Ireland: Culture and History. Ashgate Popular and Folk Music Series (General Editor, Derek B. Scott). Farnham: Ashgate Publishing Ltd.
Giddens, Anthony (1990) The Consequences of Modernity. Stanford University Press.
Giurchescu, Anca and Lisbet Torp (1991), ‘Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance’. In Yearbook for Traditional Music, Vol. XXIII, pp. 1-10.
Hall, Frank (2008) Irish Dance: Discipline as Art Sport and Duty. Wisconsin: Macater Press.
Landau, Carolyn & Topp Fargion, Janet (2012) 'We're all Archivists Now: Towards a more Equitable Ethnomusicology'. Ethnomusicology Forum, 21:2, 125-140, DOI:10.1080/17411912.2012.690188. Accessed June 25, 2014.
O' Brien, Victoria (2011) A History of Irish Ballet From 1927-1963. Oxford: Peter Lang.
Royce, Anya Peterson (1977; 2002) The Anthropology of Dance. Bloomington: Indiana University Press (2nd edition Dance Books Ltd.).
Smith, Thérèse (Ed. 2011) Ancestral Imprints: Histories of Irish Traditional Music and Dance. Cork: Cork University Press.
Study Group on Applied Ethnomusiclogy 2007: ICTM website www.ictmusic.org/group/ictm-study-group-applied-ethnomusicology. Accessed August 2, 2014)
Wulff, Helena (2007) Dancing at the Crossroads: Memory and Mobilty in Ireland. Oxford and New York: Berghahn Books.